Navel-gazing

So saying, [Zeus] sliced each human being in two, just as they slice sorb-apples to make a dry preserve, or eggs with hairs; and at the cleaving of each he bade Apollo turn its face and half-neck to the section side, in order that every one might be made more orderly by the sight of the knife’s work upon him; this done, the god was to heal them up. Then Apollo turned their faces about, and pulled their skin together from the edges over what is now called the belly, just like purses which you draw close with a string; the little opening he tied up in the middle of the belly, so making what we know as the navel. Continue reading

Etruscan Dentures

 

L0058137 Copy of an Etruscan denture, Europe, 1901-1930

L0058137 – Science Museum, London, Wellcome Images

It will be no revelation to find that the image above depicts a denture, a prosthetic device designed to replace missing teeth. It is not immediately clear which cavities would have the pleasure to be filled by this specimens, but my guess would be the top front ones, known in the world of dentistry as the central incisors, as the two teeth are of similar size and shape. But this is only a guess.

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Making Eye Contact

Met kohl pot and stick

Kohl jar and Stick, Met Museum, New York (36.3.62, 36.3.63)

Think about the ancient Egyptians, or perhaps rather imagine Cleopatra, and the most distinguishing detail of her appearance which comes to mind will be, for most, a pair of dark, accentuated eyes. But whereas Elizabeth Taylor’s eyes are weighed down with blue eye-shadow and heavy black lines, Richard Burton’s have no such definition, naked in their naturalness. But then again he was Mark Anthony, and a Roman: he knew nothing of the dangers brought by Egyptian sand, sun and the infectious Nile. The image above shows a Kohl Jar and Stick from the Met Museum in New York which is dated to the ‘New Kingdom’, Dynasty 18, around 1492–1473 B.C. Many like this have been found from Ancient Egyptian sites and attest the widespread use of kohl in Egyptian culture. Continue reading

Hair loss and Masculinity in Ancient Rome; or Why do Eunuchs not go bald?

It might not be so surprising to discover that the anxieties of balding are not unique to the modern man. The Roman historian Suetonius is known for his vivid and merciless portrayals of the Roman Emperors. His Julius Caesar combs his thin strands of hair forward to cover his thinning scalp and delights in the opportunity to don a laurel wreath, a discreet wig. Otho too wore a wig to deceive onlookers but supposedly dilapidated his entire body becoming, in Suetonius’ eyes, “as fastidious about appearances as a woman”. Domitian shortly after him even authored a manual entitled Care of the Hair. Continue reading